The portion now remaining, which appears to be only the sanctum of the original temple, has a naked male figure on the left side of the door, and a naked female figure on the right side, with three seated female figures over the centre. Inside, there is a small seated figure of Parsvanath, which gives its name to the temple. Sculptures on the walls of the inner shrine show, among other scenes, a mother nursing a child, a woman writing a letter, and another at her toilet. Outside, the building is ornamented with three rows of small statues, of which those of the two lower rows are standing, and those of the uppermost row either sitting or flying. On the jambs of the door there are three short records of pilgrims in characters of the tenth or eleventh century, which is the most probable date of the original temple. The exquisite details sculptured on outer part of the northern wall of Parsvanath Temple are perhaps the most beautiful in the eastern group. The themes of these sculptures are the timeless and related to everyday activities. For example, a woman sits thoughtfully on a letter and a beautiful girl removes a thorn from her foot, showing deep understanding of the master craftsmen of Khajuraho here about the little things that make a human life. Parsvanath Temple of Eastern Group of Khajuraho Temples is remarkable for its beautiful design, profusion of sculptures and graceful pillars.